![]() ![]() Finally, Tiny Cities featuring Beck was revealed earlier this week, a final teaser before today’s release.įrom these singles, and the then-released track-list, it became apparent to me that we’d be seeing three very distinct types of music weaved together throughout the release: glittery pop, heavy electro-hip-hop, and the glistening ambient and/or experimental moments tying it all together, free space to show off his production talents without bending around a singer or rapper’s top line. Vince Staples and Kučka, and the wildly experimental Wall Fuck, featuring nobody at all, but probably influenced by many late nights spent up listening to Warp Records compilations. Tove Lo one hectic hip-hop banger, Smoke & Retribution ft. He can’t repeat his first album, because that’s uninventive and boring, but he also can’t alienate his fans by abandoning his identity entirely.įlume pre-released five singles ahead of Skin: two bright and sparkly pop tunes, Never Be Like You ft. And that is exactly how I imagine Flume must have felt. Trent Reznor went on record lamenting that part of the reason the album was scrapped was because he was stuck “in the middle of ‘I can’t do this, it sounds too much like Rage / I can’t do that, it doesn’t sound enough like what they expect me to do,’” conundrum. I recently read an article on the demise of the solo album of Rage Against The Machine‘s Zack De La Rocha. You can go down the Young Thug route, where you constantly release new music in that same style and for better or worse that’s who you are, no more and no less or you can change it up constantly, a la Radiohead, to the point where the very fact that you are undefinable is how you are defined. With that in mind, I have thought a lot about the concept of a ‘signature sound,’ an idea that can be destructive or a blessing, depending on how you approach it. It’s almost impossible for artists to keep fans satisfied these days. Retrieved 29 July 2016.Harley Streten, also known as Flume, has had an extremely difficult job across the past four years: to produce a follow-up to an album so crucial and influential, that he immediately became known for a “signature sound,” and indeed spawned an entire generation of young producers who set out to either emulate his unique, spacey soundscape, or create their own, citing him as a major influence. ^ "New Zealand album certifications – Flume – Flume".Australian Recording Industry Association. ![]() ^ "ARIA Charts – Accreditations – 2013 Albums" (PDF).^ a b "2019 ARIA End of Decade Albums Chart".Archived from the original on 11 January 2015. ^ "End of Year Charts – ARIA Top 100 Albums 2014".Archived from the original on 8 January 2014. ^ "ARIA Top 50 Australian Artists Albums 2013".Archived from the original on 7 January 2014. ![]() Archived from the original on 9 April 2013. ![]() ^ "ARIA Top 50 Australian Artists Albums 2012".Archived from the original on 7 March 2013. ^ "Flume Chart History (Top Dance/Electronic Albums)".^ "Ultratop.be – Flume – Flume" (in French).^ "Ultratop.be – Flume – Flume" (in Dutch).Australian Independent Record Labels Association. The musical collage approach, is the starting point for a captivating album of pop electronica. Archived from the original on 21 February 2013. ^ a b "iTunes - Flume (Deluxe Edition)".^ Shipments figures based on certification alone. Year-end charts Year-end chart performance for Flume Chart (2012)ĭecade-end charts Decade-end chart performance for Flume Chart (2010–2019)Ĭertifications Certifications for Flume Region US Top Dance/Electronic Albums ( Billboard) Jezzabell Doran – composition (track 4)Ĭharts Weekly charts Weekly chart performance for Flume Chart (2013)."The Greatest View" (featuring Isabella Manfredi) ( iTunes bonus track) "Insane (L D R U Remix)" (featuring Moon Holiday) "Left Alone (Ta-Ku Remix)" (featuring Chet Faker) "Sleepless ( Shlohmo Remix)" (featuring Jezzabell Doran) "A Baru in New York (Flume Soundtrack Version)" " You & Me (Flume Remix)" (featuring Eliza Doolittle) "HyperParadise (Flume's Mixtape Version)" (featuring M.O.P.) ![]()
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